Fabulous Synthetic Curtains and Drapery Fabrics
Fabulous Synthetic Curtains and Drapery Fabrics |
Increasingly
you will find fabulous synthetic curtains and drapery fabrics in the
stores. Whether it is a "concealed" plastic that is, a plastic you
would never dream was plastic unless you were told, such as a velvet pile of
nylon or a filmy lace or whether it is a fabric more easily recognized as
synthetic, such as rubber-like shower curtain material or plastic film, there
are certain advantages you should appreciate and certain things you should know
about these test-tube materials. First of all, not all plastics have the same
properties; try to get a brand name plastic or synthetic that is labeled and
tells what it will do. Follow directions for laundering, cleaning and care.
Inquire as to the fiber blend if the material is not a pure plastic.
In
sewing plastic film materials, handle them lightly. Try not to baste, tack or
pin, as you won't be able to repair the holes made. Use Scotch tape instead for
preliminary marking, or try paper clips or weights. Don't press or crease your
plastic fabric, either. Plastics of this type are easily stitched. Use a fine
needle and a mercerized thread, or if sewing a nylon or other plastic fiber
fabric, use nylon thread. These threads are said to possess the pliability of
cotton, with the strength and elasticity of nylon.
Newest
of the synthetics is orlon, a synthetic fiber which is said to be virtually
indestructible by the elements that is, by sun, light and heat. Orion can be
hung at windows that get strong sunlight or over radiators without fear that
this will ultimately weaken them. While nylon has what is called "static
electricity" and has a tendency to stick to the windows, orlon is not
affected in this way. Orion is little sheerer than nylon, with a trifle more
body, and because of this you can get a good drape with it.
Nylon
today is being produced in a wide range of traditional weaves and in many
beautiful colors; in its sheer and marquisette forms it leads the other
synthetics in sheerness and softness and in the delicacy of its colors. Nylon
marquisette is the most practical of the nylon fabrics, taking the place of
conventional sheer cottons and rayons, but bringing a new laundering ease.
Nylon ninon, more opaque than the marquisettes, is a favorite for draperies,
glass curtains used without draperies, and for wall-to-wall draw
curtains. Nylon lace retains its shape after washing and need not be stretched.
Lighter and sheerer than lace woven of conventional cottons, it has an almost
silvery sheen. Other glass curtain possibilities of nylon include a new tricot
novelty weave, white on white Jacquards, satin weaves, sheer plain weaves
embroidered in white with little flowers, very sheer novelty striped taffetas,
and faille. There is also a closely- woven voile.
Fabulous Synthetic Curtains and Drapery Fabrics |
Deterioration
is not a serious factor with plastic fibers of a glossy type, and strong
sunlight affects nylon, for example, less than taffeta and silk. But dull yarns
are more quickly harmed by exposure to sunlight, and nylon velvets and other
pile fabrics should not be hung at windows that get long exposure to sun.
Fiberglas
is heavier than nylon or orlon, but because it is spun from actual marbles of
limpid glass, it has a quality of translucence and a delightful shimmering
quality. It is available in many pastel shades, and makes an effective
wall-to-wall drapery.
You
can put draperies of plastic or fiberglass away for winter or summer without
fearing mildew. Plastic and glass fabrics are easy to keep clean because they
shed dirt and dust. If the dyes and finishes are color- fast, then washing
presents no problem, and since the fibers are smooth and don't hold water, the
fabrics dry quickly. The spun nylons, cut into soft, fuzzy yarns, dry more
slowly.
As
you can see the subject of fabrics is a vast one, with many variations and
possibilities offered the discriminating. It is foolhardy to make rules about
which fabrics go with which styles of decorating, as contemporary decoration
increasingly adopts materials associated with periods and schools of design no
longer fashionable, and brings them up to date with modern colors and methods
of manufacture. Thus brocades, taffetas, matelass6s (which are made of soft
double compound fabrics with a quilted appearance) are in high style once more
as decorative fashion takes its cue from far-away places or the past.
Fabulous Synthetic Curtains and Drapery Fabrics |
Today,
for example, there is new interest in documentary fabrics. Documentaries are
not merely the small, repetitive patterns of calico for use in French
Provincial or Early American rooms, that many people think them to be. They are
rather those fabric designs that were worked out long ago by craftsmen as, for
example, a French artist in Paris
during the time of
Louis
XVI, or by a pioneer farm woman in the days of the settling of our own country.
Those from abroad may have found their way into American hands with our clipper
ships or Nantucket whalers, wrapped around
some jewel or ornament a sailor was bringing home. They are, in other words,
documents of the past, and in color and pattern they bring back the flavor of
other days and ways of life, and so they include not only the small-scale
cretonnes but the large-scale chintzes, elegant damasks and brocades. If you
have a period room, the good documentary fabrics will complement the mahogany,
fruitwood, walnut, maple, pine or whatever wood you have that was used by
cabinetmakers of the period you have adopted.
On
the whole, however, for modern rooms, we might sum up by stating that nylon,
fiber glass, marquisette and ninon nets, gauze, taffeta, satin, raw silks,
moires, denims and sailcloths, monk's cloth and homespun, are good. Metallic
accents are used.
For
French Provincial in the country, use homespun colors, calicos and cottons, toile
de Jouy and documentaries. For city French Provincial use, silks and deeper
colors, more decisive patterns should be employed.
For
Early American use small quiet chintzes, calicos, ginghams and other cottons of
this type, hand-blocked linens and cretonnes. For Victorian consider lace, the
pile fabrics and brocades.
Queen
Anne, Chippendale, Hepplewhite, Sheraton and other 18th century styles can
associate well with richer satins, silk brocades, damask, moire, and chintz
although Queen Anne is more simple than Chippendale.
General
principles when selecting a fabric are: When you shop for fabrics ask what
special qualities the fabric has, whether it should be washed or cleaned, and
how to care for it. If it is labeled, read the label before buying it.
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